Louise Bourgeois, Artist and Sculptor, Is Dead
The death was reported by Wendy Williams, the managing director of the Louise Bourgeois Studio.
Ms. Bourgeois’s sculptures in wood, steel, stone and cast rubber, often organic in form and sexually explicit, emotionally aggressive yet witty, covered many stylistic bases. But from first to last they shared a set of repeated themes, centered on the human body and its need for nurture and protection in a frightening world.
Among her most familiar sculptures was the much exhibited “Nature Study” (1984), a headless sphinx with powerful claws and multiple breasts. Perhaps the most provocative was “Fillette” (1968), a large detached latex phallus. Ms. Bourgeois can be seen carrying this object, nonchalantly tucked under one arm, in a portrait by the photographer Robert Mapplethorpe taken for the catalog of her 1982 retrospective at the Museum of Modern Art. (In the catalog, the Mapplethorpe picture is cropped to show only the artist’s smiling face.)